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By ANTHONY F. JANSON' 'H.W. JANSON

The main thorough, cogent, and lavishly illustrated survey of artwork within the Western culture, Janson's heritage of artwork has now been thoroughly redesigned and up-to-date to make it the final word visually and intellectually interesting source for this day. Timelines; word list; bibliography; index. 1,266 illustrations, greater than 775 in complete colour.

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The technique was widely known, its use was restricted in most areas to the color- ing of wood carvings or of the human bodv, sometimes with intricate ornamental designs. As an independent art, however, painting could establish itself only when exceptional conditions provided suitable surfaces. Thus, the Indian tribes inhabiting the arid South- of the United States developed the unique art of sand painting (fig. 27). The technique, which demands considerable skill, consists of pouring powdered rock or earth of various colors on a flat bed of sand.

Hence we need not be surprised to find Sumerian inscriptions very largely with economic and admin- that the texts of early deal istrative rather than religious matters, though writing was a al- priestly privilege. Architecture The temple had a dominant role as the center of both spiritual and physical existence in Sumerian cities. The houses clustered about a HmHH — l I — I =1 sacred area that was a vast architectural com- plex embracing not only shrines but work- and scribes' quarters as well.

And food grains— one of the truly epochmaking achievements of human history. People in Paleolithic societies had led the unsettled life of the hunter and food gatherer, reaping where nature sowed and thus at the mercy of forces that they could neither understand nor control. But now, having learned how to assure a food supply by their efforts, men and women settled down in permanent village communities. A new discipline and order entered their lives as well. There is, then, a very basic difference between the New Stone Age, or Neolithic, and own the Old, or Paleolithic, despite the fact that Carved Objects all depended on stone as the material of their main tools and weapons.

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A Basic History of Art by ANTHONY F. JANSON' 'H.W. JANSON


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